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Tuesday 23 November 2010

Saving face, but not making a rock band


 
Being a westerner in Japan there are times when cultural differences play a big part in the decisions I make and how I act. I call Japan my home now so I want to respect the Japanese way of doing things but it can be difficult at times when it goes against everything I believe or was taught as a child growing up in the UK. I’d like to use this blog to tell the story of a time when I recently found myself in such a situation. Saving face is a strong belief in Japan, I’ve heard about it many times but it wasn’t until recently that I experienced it firsthand.

I play the guitar and have played in quite a few bands back in the UK and a couple of years ago I played in a band in Japan. I recently went to watch my friend’s band and got chatting to him after the show about some of the bands I’d previously played in. I told him that I was thinking of starting a new rock back and he mentioned that a friend of his was a drummer who had no band at the time. I said I’d be interesting in meeting him and asked my friend to pass on my phone number to him. A week or so later I received a phone call from the drummer (Let’s call him Yoshi), we arranged to book a couple of hours at a local rehearsal room.
I was nervous when I arrived at the rehearsal room but as soon as the small talk was out of the way I found Yoshi to be a down-to-earth, friendly guy. We chatted about our common musical interests and talked about what style of band we wanted to form. Yoshi suggested we have a jam and “listen to each other’s stuff”. The jam went well; we ended up spontaneously playing a couple of covers, mixed in with the random riffs and beats of the jam session. I went home feeling quite good about my new band and immediately set to work writing a couple of new songs in the styles we’d talked about.
When we met the next week, for our second rehearsal, I told Yoshi about the songs I’d written and played the chorus of each one so that he could hear them. He seemed pleased so I suggested we start working the drums into them. We’d been working on the intro to one of the songs for about 10 minutes, we’d probably only tried it 4 or 5 times when he suddenly suggested we have a jam. I thought maybe he wanted to loosen up, go through some warm-up routine or take a break so I agreed and started to strum out a simple rhythm to match the beat he began to play.

 When he came back into the room after his cigarette break I suggested we work on the intro to my other song (I was feeling a bit self-conscious that he hadn’t liked my first song), he agreed and we got to work. However, on only the third attempt he stopped and suggested we play another jam, I asked why and he told me that his old band wrote songs by jamming until something sounded good then they worked it into a song. It was at that point that I realized he wanted to be involved in the writing process and didn’t want to learn pre-written songs. So, we spent the rest of the session jamming and agreed to meet again for another jam.
I went home that night not feeling so sure about making a band with Yoshi. It had nothing to do with the guy personally. It was just that our styles of making songs couldn’t have been any different. It takes me a long time to write a song, I like to sit down with my guitar or a piano and mold, shape and explore an idea until I’m happy enough with it to take it to the band. The band then learns the song together so that we have a rough draft. It isn’t until this point that people start to add their ideas and input and the band works on the song as a group. The final song often sounds quite different from the first draft I take to the band but the basics of the song are the same. It has been this way in every band I’ve ever played in, whether I was the songwriter or not. I don’t claim to be an expert on songwriting and Yoshi’s preferred style of jamming until they chance across something that sounds like a song might be a valid technique and might have worked well for his previous band, but I just couldn’t see myself being able to adapt. For starters, I’m not that technically gifted on the guitar so jamming is quite difficult for me. Secondly, as I mentioned before, it takes me a while and a lot of chopping and changing to write a song. Therefore, I felt that it would have been a big waste of time to pay for a rehearsal space to simply stand around waiting for an idea to pop into my head.

I allayed these concerns to my wife when I got home from the second rehearsal and asked her to check a message I’d written in Japanese, thanking Yoshi for jamming with me, saying how much I’d enjoyed it but unfortunately I didn’t think I could form a band with him due to my style and his style being very different. I didn’t think it was a rude email and I certainly didn’t think it painted him in a bad light. In fact, I’d written it in such a way that it sounded like it was my fault for not being able to write songs in his style. My wife, however, was adamant that I shouldn’t send the message to him as it would cause him to lose face. He would see it as a rejection of his drumming ability, or even worse as a reflection of his character. I didn’t want to offend him so I asked how I was supposed to let him know that I didn’t want to make a band with him. “Don’t say anything. Then when he wants to arrange the next rehearsal tell him you’re busy” was my wife’s advice. Apparently, this way he would understand that I didn’t want to work with him without actually having to hear it from me, thus saving face.

I understand the reasoning behind it but I still felt incredibly rude when he mailed me a week later and I replied by saying I'd love to meet up for another jam but unfortunatly I have to work late every night this week.


 The point of this blog today is not about right and wrong. It isn’t about different songwriting styles and which one is better, they just happened to be the basis of the story. It isn’t about western culture being better than Japanese culture or vice-versa. It is simply an insight into one of the many cultural differences that western people and Japanese people experience when they come into contact with one another. The whole incident got me thinking about when students have suddenly stopped coming to lessons at my conversation school. At the time I thought they were incredibly rude for not telling us they weren’t coming any more, I mean how hard is it to call or email us? However, now I’m wondering if they were looking out for me and the other teachers, maybe they were trying to save our faces by us not having to hear that they no longer wanted to take our classes. Maybe….. just maybe…..

Tuesday 9 November 2010

Karaoke etiquette

When is Barbie Girl by Aqua a better song than One More Time by Daft Punk? The answer, incredibly, is at a karaoke party. I’ll explain why later, but first I’d like to set this all too familiar scene for you. You’re out with your friends and co-workers at a karaoke party. You haven’t been to a big karaoke party before, certainly not with this many people. It may even be your first taste of karaoke in Japan. There are a lot of you, around 20 or 30, so you aren’t in one of the small private booths, but in one of the big, spacious, impersonal and, for some, intimidating party rooms. You’ve had a couple of drinks and you finally feel like you’re ready to give it a go. So, you spend a few minutes tracking down one of the big, beefy books full of songs to choose from. Once you’ve managed to drag the beast back to your table you open the cover to find all the artist names and song titles in Japanese. After a couple of minutes of rummaging through the book you come across a small section with English songs. When I say small section, I mean small compared to the Japanese part of the book, the English section on its own is far from small and probably contains just about every song you can think of, and there begins the rigmarole of selecting which song you’ll sing.

You want to choose a good song, a real belter that everyone knows, a song that is going to make people stand up and cheer the person who had the ingenuity to select it. You want to choose a song that everyone is going to go home remembering. You need to weigh up every single one of your options so you start at the beginning, the letter A! 

A perfect Circle, A-Ha, AC/DC, Abba, Ace Of Base, Adams (Bryan), Aerosmith........

A few minutes later, you’re getting a little bored of leafing through the megalithic book, you’ve finished with A and B (including what seemed like a thousand pages of Beatles songs) and have skipped most of C to find yourself looking blankly at the artists beginning with D. Suddenly a name jumps out at you, Daft Punk! Eureka! Who doesn’t like Daft Punk? You scan the selection and quickly decide on the song One More Time. It’s a great song, it’s on your iPod and it always gives you that little extra burst of energy if it comes on when you’re driving or out jogging. Thinking about the glory your friends will paint you in, the respect you’ll receive from your co-workers and the adulation of any prospective dates in the room, you punch the numbers for One More Time into the big karaoke remote control. When finalizing your selection, you accidentally set your song to play next, effectively jumping right to the head of the queue. Well, the machine IS in Japanese and that button looked like the most obvious one so you pressed it. Not many people seem to have noticed though so you may have gotten away with it. Besides, you’ve chosen the song of the century, you’re sure to be forgiven.

The song starts up and one of the microphones finds its way into your hands, annoyingly a couple of other microphones are in the hands of your well-meaning friends who seem very keen to share this moment with you, although all you can think about is the fact that they are stealing your thunder. The song kicks in and you’re away. You look around the room and the place is bouncing; a few of the more energetic people are up on their feet (are they dancing?), some people are singing along and most people are at least bobbing their heads in quiet acknowledgment of a fine selection of song. Fast forward one minute and the room is suddenly a very different place. One of your friends and co-singers has put his mic down on the table and has gone to the bar for another drink, the people who were dancing are now just standing in animated conversation and the people who were singing and bobbing their heads have tuned out completely. Fast forward another minute and you are now the sole remaining singer of the song, sat alone, slouched over the microphone repeating the words “one more time” over and over again. There is a faint smile on your face “one more time” as you desperately try to hide the embarrassment “one more time” and attempt to mask the boredom in your voice. “one more time” over and over and over whilst, ironically, all you can think is “please, god, not one more time, end the song now!” You can’t, however, bring yourself to press the button on the remote that would end the song and put you out of your misery. Mostly because you don’t know which button it is, but partly to save the last remnants of your quickly vanishing face.

After your ordeal is over and you’re waiting for a man-sized whole to open up below you and engulf you forever, the next track starts to play. You crack a little smile when you realize that some drunken idiot has chosen Barbie Girl by Aqua and your lame effort is about to be eclipsed. You’re surprised when the mic is ripped from your hands and a crowd of people are gathering in front of the big screen carrying the lyrics and accompanying, yet completely unrelated, music video. The song goes down as one of the biggest hits of the night with the boys singing Ken’s lines and the girls doing Barbie’s, all in an exaggerated and humorous style of course. You go home scratching your head and wondering how on earth Barbie Girl could ever get a better reception than a track by Daft Punk. 


This little story emphasizes a point that I was discussing with a friend of mine recently, that Karaoke is not about singing the best song. No-one is there to hear YOU sing. All people want to do is have a good time with friends, sing a few songs as loudly as they can, drink a few drinks and party the night away. There is no space for pop stars, rock stars or any other egos at a karaoke party. I used to get annoyed if people joined in on my choices, but I now realize that that’s what Karaoke is all about. The best songs at a karaoke party are the songs that involve everyone. The songs where people stand tougher in the middle of the room, crowded around a couple of mics. No-one wants to see a performance, everyone wants to be part of the performance. The party is the performance. 

So here is my far-from-expert advice on how to choose good Karaoke songs:
  • Choose a song that you’re confident at least 80% of the people in the room will recognize.
  • Choose a song that has a simple and memorable chorus. Preferably with a chant or easy sing-a-long style.
  • Choose short-ish songs. 
  •  Avoid songs no-one can sing (Celine Dion etc.) You can get away with a certain amount of missed notes, especially if it’s a group effort but some songs just sound too awful when performed by amateurs.
  • Avoid songs with a lot of repetition, people tend to switch off pretty soon during these songs (this includes most, if not all, dance tracks)
  • Avoid songs with long instrumental parts (this includes a lot of metal and heavy rock songs)
  • Avoid songs that are too slow and lack energy.

So you can see that the advice above rules out a lot of quality songs. If you want to have an enjoyable karaoke experience then you’re going to have to swallow your pride and admit that your personal favorite song just doesn’t sit well in the karaoke environment. If you can stick to songs that fit within the parameters above then I guarantee you and your friends will have fantastic and memorable karaoke parties.

So, here is my far-from-expert, short list of (quite) good karaoke songs:
  • Barbie Girl
  • Johnny B. Goode
  • The Grease mega mix
  • Fight for your right (to party)
  • Livin’ on a prayer
  • Sweet Child O’ mine 
  • Love shack
  • Born in the USA
  • Born to be wild
  • Brown eyed girl 
  •  I believe I can fly
Feel free to add your own (quite) good karaoke songs below. Let's see if we can compile the ultimate list of Karaoke songs that everyone can enjoy!

- Ben